Ok, so I didn't make up this title because I think Everyone should read music or because I happen to teach that little skill...
Rather than bore the reader with, do re mi's and a,b,c's? I want to share a fascinating experience that I had last week with a Grammy-Winning producer. Now you ask, how do those things even relate to each other? Gimmee a second I'll get there!
Here's the scoop:
Every Monday evening I go to Blair School of Music, (NOT because I am a nerd & I like school… maybe that's part of the reason) BUT really because I am taking an amazing class called the Blair Hit Songwriters Series hosted by the delightful and de-lovely (couldn’t not contain the Cole Porter reference) Deanna Walker. Each week a different fabulous songwriter, publisher, industry exec joins us to talk about their careers, answer questions, critique songs & there are even opportunities to pitch to publishers! This Class runs every fall and spring at Blair, & I say, the 2 hours each week is time well spent. It has been a wonderful opportunity to learn about the process of songwriting from the perspective of successful writers, tools for the muse, advice on succeeding in this mad hatter industry and to hear some famous hits played live by the actual writers! blah, blah, you get the point. If you're interested you can check it out here
Last week we were joined by a Grammy-Winning Writer/Producer named Hawk Wolinski (some of his credits include a little lady called Chaka Khan, a guy named Michael Jackson, this brilliant producer dude, Quincy Jones oh and Prince!!)
First I must say, What a Fireball, he was entertaining and shared bucket loads of information from the moment he walked in. It was fabulous!
How does this tie into Music Theory?
I want to first mention that he discussed a lot of varied styles of music including...
References to some great jazz cats like Coltrane and his approach to creating melody.
(a-hem...) Some of those Broadway writers I have mentioned (perhaps even endlessly expounded upon?) in previous posts.
I'm too cool for Broadway
Brilliance and Bawdy of Broadway Lyrics
Send In the Clowns
And even, one of most favorite people, J.S.Bach and how he orchestrated music. Amazing how the Baroque era (that's the 1700's?!?) is still making it's mark today? By the way, when I heard Quincy Jones speak last year, he mentioned a lot of classical cats as well...
It's fascinating to me how all of this stuff has influenced a successful, innovative, writer, & his arranging/process as an R&B producer. See, I don't make this stuff up because I like to talk about Music Theory!
It's important to take in knowledge from all Genres and to delve into understanding music.
Why? because it helps you to be a better writer and musician :)
Oh, one last thing...
At the end of the class Deanna asked him, “If there was something you would have done differently in your career, what would it be?” His answer, “I would have learned to read music sooner...” 'Nuf said (albeit he also mentioned watching his Business of Music more carefully)
Hmmm... I think next week? I'll share some his writing tricks. So stick around, I promise fun and fabulous-ness for all
Wednesday, February 23, 2011
Thursday, February 10, 2011
What is the Circle of 5ths ? Part #3 - The 1,2,3 of figuring out Sharps
OK .... So we left off with our high-tech GPS device which helped us to navigate the Circle of 5ths.
We already understand:
How many flats and sharps exist in each key
IF you don't already know that?
Please read "What is the Circle of 5ths
Part 1, "The Key to Flats & Sharps" here
Part 2, "Navigating the Circle" Here
Let's continue our journey into the world of sharps after a quick review of our last adventure
G Major: 1 sharp
D Major: 2 sharps
A Major: 3 sharps
E Major: 4 sharps
B Major: 5 sharps
F# Major: 6 sharps
**Note Once again we are only talking about Major Keys here**
Now how do we figure out which sharps exist in each key?
Simple as 1, 2, 3!!!
Let's start with G (oh my those last 3 sentences rhymed unintentionally!!)
First Recall your musical alphabet A, B, C, D, E, F, G - G means GO back to A
1. Look at the Key Name
ex: G Major
2. What note comes before it in the alphabet ?
ex: Key of G
ex: F comes before G in the alphabet
3. Add a sharp
+ Key of G
+ F comes before G
+ Add a Sharp: F#
WHAT IS THE SHARP IN THE KEY OF G ? F# !!!!!
Simple as 1,2,3
Our next key in the circle is D ( 5 steps away from G = G, A, B, C, D)
We know that D has 2 sharps
1. Look at the Key Name ANSWER IS D MAJOR
2. What letter comes before D in the alphabet? ANSWER IS C
3. Add a sharp ANSWER IS C#
But Wait you said that D had TWO sharps?!?!
Well, remember I also said that sharp guy was a party fellow?
He travels from Bar to Bar and picks up Friends everywhere he goes!
In other words, as we travel clockwise from Key to Key,
For each progressive key we add our new sharp to the previous ones
EX: so we already learned that
The key of G has 1 sharp - F#
The key of D has 2 sharps - F# and C#
F# is already there from the previous key and now we add C#
Let's continue
Our next key after D is .... (count on your GPS)
So, thumb on D
Pointer finger on E
Middle finger on F
Ring finger on G
Pinky on A
VOILA! you have now determined your next key which is the key of A!
Let's go back to our 1,2,3 of figuring out the sharps
1. Look at the Key name: ANSWER IS A MAJOR
2. What letter comes before A in the alphabet ? ANSWER IS G
REMEMBER IN THE MUSICAL ALPHABET AFTER G WE GO BACK TO A
(this is the only instance where you have to remember something beyond the alphabet you learned in kindergarten - pretty simple because in that alphabet nothing comes before A, so just now commit to memory:
G comes before A, G comes before A, G comes before A)
3. Add a sharp - THE ANSWER IS G#
4. A Major has 3 sharps - Our new one is G# plus F# & C# because we've already picked them up from the last 2 keys.
NEXT
1. Look at the Key Name ANSWER IS E MAJOR
2. What letter comes before E in the alphabet? ANSWER IS D
3. Add a sharp ANSWER IS D#
4. E major has 4 sharps - D# plus the 3 from the previous keys: F#, C#, G#, D#
NEXT
1. Look at the Key Name ANSWER IS B MAJOR
2. What letter comes before B in the alphabet? ANSWER IS A
3. Add a sharp ANSWER IS A#
4. B major has 5 sharps - A# plus the 4 from the previous keys: F#, C#, G#, D#, A#
NEXT
1. Look at the Key Name ANSWER IS F# MAJOR
(because F has already been sharped in the circle he stays that way)
2. What letter comes before F in the alphabet? ANSWER IS E
3. Add a sharp ANSWER IS E#
4. F# major has 6 sharps - E# plus the 5 from the previous keys: F#,C#,G#,D#,A#,E#
I will leave C# to YOU!
Now, here's another tip - or perhaps a trend to notice...
Look at your sharps as they line up
F#, C#, G#, D#, A#, E#, B#
Holy Genius of Music Theory!!!! There's another pattern here...
Can you see it? Hint: GPS Hint: Circle of 5ths
Give up?
THERE IS A 5TH BETWEEN EACH SHARP AS WE ADD THEM! Check it out
So, thumb on F
Pointer finger on G
Middle finger on A
Ring finger on B
Pinky on C
Get it! the relationship between F and C is a 5th (and the same goes for all of the other sharps we are adding) What another nifty way to figure it out
EX: We already know that G has one sharp which is F and that A has 3 sharps
To figure out the sharps in A you can travel the circle Starting at F# to C# to G#
Magical!!
Now, for homework
1. Take a minute NOW to write out the sharps in each key using the 1,2,3 method
PLEASE close this screen and do it without looking. Then you can double check it here!
2. Tape it to your bathroom mirror and review it as you brush your teeth each morn and evening
3. Play through each key on your instrument
4. APPLY IT in the next tune you're writing, the next chart you look at, hear it as you play.
Have Fun!!! and as always, drop a line back with any questions!!
Contact@meredithblis.com
We already understand:
How many flats and sharps exist in each key
IF you don't already know that?
Please read "What is the Circle of 5ths
Part 1, "The Key to Flats & Sharps" here
Part 2, "Navigating the Circle" Here
Let's continue our journey into the world of sharps after a quick review of our last adventure
G Major: 1 sharp
D Major: 2 sharps
A Major: 3 sharps
E Major: 4 sharps
B Major: 5 sharps
F# Major: 6 sharps
**Note Once again we are only talking about Major Keys here**
Now how do we figure out which sharps exist in each key?
Simple as 1, 2, 3!!!
Let's start with G (oh my those last 3 sentences rhymed unintentionally!!)
First Recall your musical alphabet A, B, C, D, E, F, G - G means GO back to A
1. Look at the Key Name
ex: G Major
2. What note comes before it in the alphabet ?
ex: Key of G
ex: F comes before G in the alphabet
3. Add a sharp
+ Key of G
+ F comes before G
+ Add a Sharp: F#
WHAT IS THE SHARP IN THE KEY OF G ? F# !!!!!
Simple as 1,2,3
Our next key in the circle is D ( 5 steps away from G = G, A, B, C, D)
We know that D has 2 sharps
1. Look at the Key Name ANSWER IS D MAJOR
2. What letter comes before D in the alphabet? ANSWER IS C
3. Add a sharp ANSWER IS C#
But Wait you said that D had TWO sharps?!?!
Well, remember I also said that sharp guy was a party fellow?
He travels from Bar to Bar and picks up Friends everywhere he goes!
In other words, as we travel clockwise from Key to Key,
For each progressive key we add our new sharp to the previous ones
EX: so we already learned that
The key of G has 1 sharp - F#
The key of D has 2 sharps - F# and C#
F# is already there from the previous key and now we add C#
Let's continue
Our next key after D is .... (count on your GPS)
So, thumb on D
Pointer finger on E
Middle finger on F
Ring finger on G
Pinky on A
VOILA! you have now determined your next key which is the key of A!
Let's go back to our 1,2,3 of figuring out the sharps
1. Look at the Key name: ANSWER IS A MAJOR
2. What letter comes before A in the alphabet ? ANSWER IS G
REMEMBER IN THE MUSICAL ALPHABET AFTER G WE GO BACK TO A
(this is the only instance where you have to remember something beyond the alphabet you learned in kindergarten - pretty simple because in that alphabet nothing comes before A, so just now commit to memory:
G comes before A, G comes before A, G comes before A)
3. Add a sharp - THE ANSWER IS G#
4. A Major has 3 sharps - Our new one is G# plus F# & C# because we've already picked them up from the last 2 keys.
NEXT
1. Look at the Key Name ANSWER IS E MAJOR
2. What letter comes before E in the alphabet? ANSWER IS D
3. Add a sharp ANSWER IS D#
4. E major has 4 sharps - D# plus the 3 from the previous keys: F#, C#, G#, D#
NEXT
1. Look at the Key Name ANSWER IS B MAJOR
2. What letter comes before B in the alphabet? ANSWER IS A
3. Add a sharp ANSWER IS A#
4. B major has 5 sharps - A# plus the 4 from the previous keys: F#, C#, G#, D#, A#
NEXT
1. Look at the Key Name ANSWER IS F# MAJOR
(because F has already been sharped in the circle he stays that way)
2. What letter comes before F in the alphabet? ANSWER IS E
3. Add a sharp ANSWER IS E#
4. F# major has 6 sharps - E# plus the 5 from the previous keys: F#,C#,G#,D#,A#,E#
I will leave C# to YOU!
Now, here's another tip - or perhaps a trend to notice...
Look at your sharps as they line up
F#, C#, G#, D#, A#, E#, B#
Holy Genius of Music Theory!!!! There's another pattern here...
Can you see it? Hint: GPS Hint: Circle of 5ths
Give up?
THERE IS A 5TH BETWEEN EACH SHARP AS WE ADD THEM! Check it out
So, thumb on F
Pointer finger on G
Middle finger on A
Ring finger on B
Pinky on C
Get it! the relationship between F and C is a 5th (and the same goes for all of the other sharps we are adding) What another nifty way to figure it out
EX: We already know that G has one sharp which is F and that A has 3 sharps
To figure out the sharps in A you can travel the circle Starting at F# to C# to G#
Magical!!
Now, for homework
1. Take a minute NOW to write out the sharps in each key using the 1,2,3 method
PLEASE close this screen and do it without looking. Then you can double check it here!
2. Tape it to your bathroom mirror and review it as you brush your teeth each morn and evening
3. Play through each key on your instrument
4. APPLY IT in the next tune you're writing, the next chart you look at, hear it as you play.
Have Fun!!! and as always, drop a line back with any questions!!
Contact@meredithblis.com
Tuesday, February 1, 2011
"Send in the Clowns"
Irony - Sometimes defined as an outcome of events contrary to what was, or might have been, expected
For example, in 1975 a little song from the Broadway musical, “A Little Night Music,”
Won the Grammy for Song of the Year!!
Even more Ironic? This song is a brilliant use of Irony!
“What’s it called?" SEND IN THE CLOWNS
If I said, “Hey send in the clowns” You would think – what happened??!?! What’s so funny ? Yeah, some people find clowns scary, but for the most part, clowns are supposed to be silly.
But if you were reflecting upon the ironies and disappointments of you life? That would be a very different matter... And that would be a very ingenious twist on the typical picture…. Alas, Thank You once again Stephen Sondheim (who is probably my most favorite Broadway composer and "A Little Night Music is one of my most favorite musicals)
At the end of the song he states, "Don't bother, they're here." Which also means, the players are the clowns, or as he says it, clowns is a synonym for fools.
But which choice is more interesting? Fools or Clowns? I'll let you guess.
We can learn something here!
Songwriters, never say die! when it comes to exploring options for different words and images. Better said, never, rest in peace, succumb, give up the ghost, abate,
expire, wain, wither, succumb, pass on, lapse, weaken, ... you get the point!!!
This little article in Wikipedia is awesome. It discusses his writing process and the influence of his mentor (Leonard Bernstein, another one of my favorite people);
as well as the unique song structure (the song has 4 verses and a bridge) and the unusual meter/timing. Songwriters, I say it again Broadway Cats can be pretty hip creatures and we can learn a lot from them!
More Here
And who else thought this song was cool enough to sing?
Krusty the Clown (sorry I had to mention that)
Frank Sinatra, Kenny Rogers, Frida (Anni-Frid Lyngstad of ABBA), Bryan Ferry, Tom Jones, Glenn Close, Van Morrison, Wil Ferrell, Steven Colbert (when he had Sondheim as a guest) And many others, One of my favorite versions is by Barbara Streisand
View it here
Singers, this one is for you. First watch her body, specifically the placement of her head and the long lines of her neck. This allows the voice to flow easily. If we reach our chin too far forward or the position of our head is crooked, this creates tension, makes it more difficult to sing and will cause problems (fatigue, hoarseness, etc). Also, note the relaxed jaw and how she opens, opens, opens her mouth! Free that beautiful tone! While she's doing this, take a look, notice how her tongue is beautifully relaxed. Also, her vocal control and tone are breathtaking. (hint: listen to where she breathes) Ok, I'm gonna stop here for this week...
I shall sign off with this gem of rhyme, imagery, and cleverness....
(also from A Little Night Music)
It's a push and a fumble and a tumble in the sheets, And I'll foot the highland fancy,
A dip in the butter and a flutter with what meets my eye, It's a very short fetch
From the push and the whoop, To the squint and the stoop, And the mumble.
It's not much of a stretch, To the cribs and the croup And the bosoms that droop
And go dry. In the meanwhile, There are mouths to be kissed, Before mouths to be fed,
And there's many a tryst, And there's many a bed, To be sampled and seen
In the meanwhile, And a girl has to celebrate what passes by."
(the Millers Son -Stephen Sondheim)
For example, in 1975 a little song from the Broadway musical, “A Little Night Music,”
Won the Grammy for Song of the Year!!
Even more Ironic? This song is a brilliant use of Irony!
“What’s it called?" SEND IN THE CLOWNS
If I said, “Hey send in the clowns” You would think – what happened??!?! What’s so funny ? Yeah, some people find clowns scary, but for the most part, clowns are supposed to be silly.
But if you were reflecting upon the ironies and disappointments of you life? That would be a very different matter... And that would be a very ingenious twist on the typical picture…. Alas, Thank You once again Stephen Sondheim (who is probably my most favorite Broadway composer and "A Little Night Music is one of my most favorite musicals)
At the end of the song he states, "Don't bother, they're here." Which also means, the players are the clowns, or as he says it, clowns is a synonym for fools.
But which choice is more interesting? Fools or Clowns? I'll let you guess.
We can learn something here!
Songwriters, never say die! when it comes to exploring options for different words and images. Better said, never, rest in peace, succumb, give up the ghost, abate,
expire, wain, wither, succumb, pass on, lapse, weaken, ... you get the point!!!
This little article in Wikipedia is awesome. It discusses his writing process and the influence of his mentor (Leonard Bernstein, another one of my favorite people);
as well as the unique song structure (the song has 4 verses and a bridge) and the unusual meter/timing. Songwriters, I say it again Broadway Cats can be pretty hip creatures and we can learn a lot from them!
More Here
And who else thought this song was cool enough to sing?
Krusty the Clown (sorry I had to mention that)
Frank Sinatra, Kenny Rogers, Frida (Anni-Frid Lyngstad of ABBA), Bryan Ferry, Tom Jones, Glenn Close, Van Morrison, Wil Ferrell, Steven Colbert (when he had Sondheim as a guest) And many others, One of my favorite versions is by Barbara Streisand
View it here
Singers, this one is for you. First watch her body, specifically the placement of her head and the long lines of her neck. This allows the voice to flow easily. If we reach our chin too far forward or the position of our head is crooked, this creates tension, makes it more difficult to sing and will cause problems (fatigue, hoarseness, etc). Also, note the relaxed jaw and how she opens, opens, opens her mouth! Free that beautiful tone! While she's doing this, take a look, notice how her tongue is beautifully relaxed. Also, her vocal control and tone are breathtaking. (hint: listen to where she breathes) Ok, I'm gonna stop here for this week...
I shall sign off with this gem of rhyme, imagery, and cleverness....
(also from A Little Night Music)
It's a push and a fumble and a tumble in the sheets, And I'll foot the highland fancy,
A dip in the butter and a flutter with what meets my eye, It's a very short fetch
From the push and the whoop, To the squint and the stoop, And the mumble.
It's not much of a stretch, To the cribs and the croup And the bosoms that droop
And go dry. In the meanwhile, There are mouths to be kissed, Before mouths to be fed,
And there's many a tryst, And there's many a bed, To be sampled and seen
In the meanwhile, And a girl has to celebrate what passes by."
(the Millers Son -Stephen Sondheim)
Wednesday, January 19, 2011
The Brilliance, Beauty & Bawdy of Broadway Lyrics
Well it seems last week I ended up on a tangent about the Brill Building, Marilyn Monroe and Gwen Stefani. So, I will do my best to stay on track this week.
And yeah it might seem that this trip to Broadway might be a digression from the whole Theory thing. Yet, being that my mission statement (how funny that just said I even had one?) is about helping musicians excel! I think understanding history (& herstory) might just be on point....
So, often we think Ugh! Broadway is too Vanilla and Virgin. Once again, I'm waaaaay tooo cool for that! Let me introduce you to one of my favorite playboys, Cole Porter BIO Now it's not shock value I'm after (although that's always fun) It's the rhyme, the story, the melodic rhythm and the use of words... check this out from his musical, "Anything Goes." Let's also take a moment to notice the timeless themes of rebellion and sarcasm. For me a big part of this magic is that he presents with such ease and humor
In olden days a glimpse of stocking
Was looked on as something shocking,
But now, God knows,
Anything Goes (big deal we see more than that in commercials) NOW
If driving fast cars you like,
If low bars you like,
If old hymns you like,
If bare limbs you like,
If Mae West you like
Or me undressed you like,
Why, nobody will oppose!
When every night,
The set that's smart
Is intruding in nudist parties in studios,
Anything Goes.
more here
Undressing? Nudist parties? Yeah, you get the point.
Need I say more about the brilliance of rhyme, humor and story? Well, just for fun, I will.
Fast Cars , Low Bars - Old Hymns, Bare Limbs - Mae West, Me Undressed -
Some pretty witty internal rhyme there Mr, Porter. And there's some divine time in your melodic rhythm. This is one of so many examples & I could wax on... but let's move on and be romantic instead.
Ah.... "All the Things You Are" written by Jerome Kern and Oscar Hammerstein (1939!) from the musical "Very Warm for May"
Covered by Many People Including the Late Michael Jackson!!
Analyze it and Learn more Here
"All The Things You Are"
Time and again I’ve longed for adventure,
Something to make my heart beat the faster.
What did I long for? I never really knew.
Finding your love I’ve found my adventure,
Touching your hand, my heart beats the faster,
All that I want in all of this world is you.
(chorus)
You are the promised kiss of springtime
That makes the lonely winter seem long.
You are the breathless hush of evening
That trembles on the brink of a lovely song.
You are the angel glow that lights a star,
The dearest things I know are what you are.
Some day my happy arms will hold you,
And some day I’ll know that moment divine,
When all the things you are, are mine
Charlie Parker said these were his favorite lyrics of all time. This one is also a classic (even as an instrumental) in Jazz Standard literature
Imagery wow! "Angel glow that lights a star"
Nice use of simile! " you are the Breathless hush of evening"
Now, check this out - excerpted from a fairly recent pop tune recorded by many people including Rascal Flatts and become a top 5 hit for the Christian artist, Selah.
(written by Marcus Hummon, Jeff Hanna & Bobby Boyd)
"Bless the Broken Road"
Every long lost dream led me to where you are
Others who broke my heart, they were like northern stars
Pointing me on my way into your loving arms
This much I know is true
That God blessed the broken road
That led me straight to you
But now I'm just rolling home into my lover's arms
This much I know is true
That God blessed the broken road
That led me straight to you
more lyrics here
hmmmmm..... do we see the similarity of themes as well as similar expression, I could see this one in a musical. Not actually so different! Because they share vivid imagery, strong story, great use of simile.
Both Brilliant heart warming songs expressing the journey to finding love.
Like I said, you can learn a little from these Broadway Cats...
Take a look at these other favs and TELL ME what you think!
"Some Enchanted Evening" (South Pacific - Rodgers & Hammerstein)
lyrics
"If I Loved You" (Carousel - Rodgers & Hammerstein)
Lyrics
"Unexpected Song" (Song & Dance - A.L. Webber & Don Black, lyrics)
lyrics
"In a Very Unusual Way" (Nine -Maury Yeston)
This is one of my favorite musicals and What a Unique (even unusual?) way to express the theme of love! Breath-Taking
lyrics
"As Long as You're Mine" (Wicked -Stephen Schwartz)
Lyrics
"Til there Was You" Covered by none other than THE BEATLES!
(The Music Man - Meredith Wilson)
Lyrics
"Who can explain it? Who can tell you why? Fools give you reasons, Wise men never try"
(Some Enchanted Evening)
Well, Next Week I'll get to "Defying Gravity" and perhaps even, "Send in the Clowns"
Til then keep an open heart and a bawdy humor...
And yeah it might seem that this trip to Broadway might be a digression from the whole Theory thing. Yet, being that my mission statement (how funny that just said I even had one?) is about helping musicians excel! I think understanding history (& herstory) might just be on point....
So, often we think Ugh! Broadway is too Vanilla and Virgin. Once again, I'm waaaaay tooo cool for that! Let me introduce you to one of my favorite playboys, Cole Porter BIO Now it's not shock value I'm after (although that's always fun) It's the rhyme, the story, the melodic rhythm and the use of words... check this out from his musical, "Anything Goes." Let's also take a moment to notice the timeless themes of rebellion and sarcasm. For me a big part of this magic is that he presents with such ease and humor
In olden days a glimpse of stocking
Was looked on as something shocking,
But now, God knows,
Anything Goes (big deal we see more than that in commercials) NOW
If driving fast cars you like,
If low bars you like,
If old hymns you like,
If bare limbs you like,
If Mae West you like
Or me undressed you like,
Why, nobody will oppose!
When every night,
The set that's smart
Is intruding in nudist parties in studios,
Anything Goes.
more here
Undressing? Nudist parties? Yeah, you get the point.
Need I say more about the brilliance of rhyme, humor and story? Well, just for fun, I will.
Fast Cars , Low Bars - Old Hymns, Bare Limbs - Mae West, Me Undressed -
Some pretty witty internal rhyme there Mr, Porter. And there's some divine time in your melodic rhythm. This is one of so many examples & I could wax on... but let's move on and be romantic instead.
Ah.... "All the Things You Are" written by Jerome Kern and Oscar Hammerstein (1939!) from the musical "Very Warm for May"
Covered by Many People Including the Late Michael Jackson!!
Analyze it and Learn more Here
"All The Things You Are"
Time and again I’ve longed for adventure,
Something to make my heart beat the faster.
What did I long for? I never really knew.
Finding your love I’ve found my adventure,
Touching your hand, my heart beats the faster,
All that I want in all of this world is you.
(chorus)
You are the promised kiss of springtime
That makes the lonely winter seem long.
You are the breathless hush of evening
That trembles on the brink of a lovely song.
You are the angel glow that lights a star,
The dearest things I know are what you are.
Some day my happy arms will hold you,
And some day I’ll know that moment divine,
When all the things you are, are mine
Charlie Parker said these were his favorite lyrics of all time. This one is also a classic (even as an instrumental) in Jazz Standard literature
Imagery wow! "Angel glow that lights a star"
Nice use of simile! " you are the Breathless hush of evening"
Now, check this out - excerpted from a fairly recent pop tune recorded by many people including Rascal Flatts and become a top 5 hit for the Christian artist, Selah.
(written by Marcus Hummon, Jeff Hanna & Bobby Boyd)
"Bless the Broken Road"
Every long lost dream led me to where you are
Others who broke my heart, they were like northern stars
Pointing me on my way into your loving arms
This much I know is true
That God blessed the broken road
That led me straight to you
But now I'm just rolling home into my lover's arms
This much I know is true
That God blessed the broken road
That led me straight to you
more lyrics here
hmmmmm..... do we see the similarity of themes as well as similar expression, I could see this one in a musical. Not actually so different! Because they share vivid imagery, strong story, great use of simile.
Both Brilliant heart warming songs expressing the journey to finding love.
Like I said, you can learn a little from these Broadway Cats...
Take a look at these other favs and TELL ME what you think!
"Some Enchanted Evening" (South Pacific - Rodgers & Hammerstein)
lyrics
"If I Loved You" (Carousel - Rodgers & Hammerstein)
Lyrics
"Unexpected Song" (Song & Dance - A.L. Webber & Don Black, lyrics)
lyrics
"In a Very Unusual Way" (Nine -Maury Yeston)
This is one of my favorite musicals and What a Unique (even unusual?) way to express the theme of love! Breath-Taking
lyrics
"As Long as You're Mine" (Wicked -Stephen Schwartz)
Lyrics
"Til there Was You" Covered by none other than THE BEATLES!
(The Music Man - Meredith Wilson)
Lyrics
"Who can explain it? Who can tell you why? Fools give you reasons, Wise men never try"
(Some Enchanted Evening)
Well, Next Week I'll get to "Defying Gravity" and perhaps even, "Send in the Clowns"
Til then keep an open heart and a bawdy humor...
I'm too cool for Broadway
School has finally started again! But we’re gonna start slow as we still need lotsa energy to stay warm from the winter winds. Last week I prattled about Sir Andrew Lloyd Webber and ended with the question…. Why does anybody care about Broadway anyway? Or I’m too cool, Isn’t Broadway music for geeks? Actually the answer is no. Obviously certain types of music don’t appeal to everyone and it’s totally fine if show tunes are not your bag. But, if you are a Songwriter? You can learn a lot from these composer cats; Singers and Musicians? You can definitely be inspired by these voices, orchestrations, and musicianship.
How is that possible? And why should you care? If you're gonna make music it helps to know the basics and there are a lot of artists we admire today who are using these songs,as well as crossing the line into The Great White Way (slang term for Broadway :)
Since it's always hip at a cocktail party to appear smart, Let's start with a BRIEF scan of Pop Music History.
Publishing 101. It all started in what they called Tin Pan Alley which was located in what we now call the Flatiron District (west 28th st btwn 5th & 6th ave - Hey New Yorkers, look for the plaque that is there now!) This was the original location of the first publishing companies where they hired people to write popular music. Rumor is that it was called Tin Pan Alley because of the clackity-clack from all the cheap pianos playing! So fast forward.... In the early 1900's what was the pop music (aka popular music) of the day? Broadway!!!
So there's some nerd history. read more here.... And the point here is that Tin Pan sowed the seeds and this music center eventually moved to the Brill Building (49th st & Broadway). The Brill Building then became home to some the best writers of the 60's
including people like Liebert & Stoller, Carole King & Jerry Goffin. It was THE center for publishers, studios, writers and music business, as well as the modern music sound, often referred to as "the Brill Building" sound More?
History lesson over about how B'way developed into Pop
Now Let's Talk about how B'way music is still hip today...
Who is still singing this stuff?
++ Gwen Stefani, "Rich Girl" (yes this was an adaptation) Originally "If I Were a Rich Man" from the musical "Fiddler on the Roof" This entire record went multi-platinum and also resulted in multiple Grammy nominations and the song hit the top 10
++ Everyone from Billie Holiday to Rod Stewart, including hip peeps like Maroon 5, Dexys Midnight Runners & most recently Michael Buble, have covered "The Way You Look Tonight" (Swing Time)
++ Poe - "I Can't Say No" (Oklahoma)
++ Junior Vasquez?!?! "Climb Every Mountain" (The Sound of Music)
++ Ms. Madonna made quite a hit from "Evita" (Platinum with 2 hit singles!)
And her "Material World" routine? Adapted directly from the scene in the musical "Gentleman Prefer Blondes" song "Diamonds Are a Girl's Friend" performed by Marilyn Monroe. (Marilyn was actually a pretty good singer!)
Madonna
Marilyn
And some songs we sing everyday...
The most covered song of all time! "Somewhere Over the Rainbow" (Arlen & Harburg)
And in Winter? "Let It Snow" (Jules Styne)
And at Christmas?
"Have Yourself a Merry Little Christmas" (Martin & Blane)
"White Christmas" (Irving Berlin)
We can also mention the Pop People who have crossed the line into Broadway?
Abba, Elton John, and GREEN DAY ?!? Wrote a musical based on their concept album, "American Idiot" Still running on Broadway And in Feb 2011 Melissa Etheridge will be joining the cast!
Let's also look at our beloved Jazz Standards. A lot of our faves had their debut as songs in musicals! Ex: "All the Things You Are," "Smoke Gets in Your Eyes" (Jerome Kern) "Bewitched, Bothered & Bewildered" (Rodgers & Hart), "Witchcraft" (Cy Coleman) and many, many more...
Oh and one more FAVORITE:
"Favorite Things" (Rodgers & Hammerstein) And if this one ain't too lame for Coltrane - It ain't too cheesy for me. YouTube
Meantime, You get the point there are some pretty cool and successful people still playing these songs Today! Why?
Could be because? They are simply great songs. We'll get a bit more in about that next week
One last thing, our friend Andrew Lloyd Weber (see previous post), well he's gone Platinum in the UK and in the US selling over 2 million copies with The Phantom of the Opera. And the original cast recording was the first in British musical history to enter the charts at number one....
Someones' Listening to it! Til Next Time .....
How is that possible? And why should you care? If you're gonna make music it helps to know the basics and there are a lot of artists we admire today who are using these songs,as well as crossing the line into The Great White Way (slang term for Broadway :)
Since it's always hip at a cocktail party to appear smart, Let's start with a BRIEF scan of Pop Music History.
Publishing 101. It all started in what they called Tin Pan Alley which was located in what we now call the Flatiron District (west 28th st btwn 5th & 6th ave - Hey New Yorkers, look for the plaque that is there now!) This was the original location of the first publishing companies where they hired people to write popular music. Rumor is that it was called Tin Pan Alley because of the clackity-clack from all the cheap pianos playing! So fast forward.... In the early 1900's what was the pop music (aka popular music) of the day? Broadway!!!
So there's some nerd history. read more here.... And the point here is that Tin Pan sowed the seeds and this music center eventually moved to the Brill Building (49th st & Broadway). The Brill Building then became home to some the best writers of the 60's
including people like Liebert & Stoller, Carole King & Jerry Goffin. It was THE center for publishers, studios, writers and music business, as well as the modern music sound, often referred to as "the Brill Building" sound More?
History lesson over about how B'way developed into Pop
Now Let's Talk about how B'way music is still hip today...
Who is still singing this stuff?
++ Gwen Stefani, "Rich Girl" (yes this was an adaptation) Originally "If I Were a Rich Man" from the musical "Fiddler on the Roof" This entire record went multi-platinum and also resulted in multiple Grammy nominations and the song hit the top 10
++ Everyone from Billie Holiday to Rod Stewart, including hip peeps like Maroon 5, Dexys Midnight Runners & most recently Michael Buble, have covered "The Way You Look Tonight" (Swing Time)
++ Poe - "I Can't Say No" (Oklahoma)
++ Junior Vasquez?!?! "Climb Every Mountain" (The Sound of Music)
++ Ms. Madonna made quite a hit from "Evita" (Platinum with 2 hit singles!)
And her "Material World" routine? Adapted directly from the scene in the musical "Gentleman Prefer Blondes" song "Diamonds Are a Girl's Friend" performed by Marilyn Monroe. (Marilyn was actually a pretty good singer!)
Madonna
Marilyn
And some songs we sing everyday...
The most covered song of all time! "Somewhere Over the Rainbow" (Arlen & Harburg)
And in Winter? "Let It Snow" (Jules Styne)
And at Christmas?
"Have Yourself a Merry Little Christmas" (Martin & Blane)
"White Christmas" (Irving Berlin)
We can also mention the Pop People who have crossed the line into Broadway?
Abba, Elton John, and GREEN DAY ?!? Wrote a musical based on their concept album, "American Idiot" Still running on Broadway And in Feb 2011 Melissa Etheridge will be joining the cast!
Let's also look at our beloved Jazz Standards. A lot of our faves had their debut as songs in musicals! Ex: "All the Things You Are," "Smoke Gets in Your Eyes" (Jerome Kern) "Bewitched, Bothered & Bewildered" (Rodgers & Hart), "Witchcraft" (Cy Coleman) and many, many more...
Oh and one more FAVORITE:
"Favorite Things" (Rodgers & Hammerstein) And if this one ain't too lame for Coltrane - It ain't too cheesy for me. YouTube
Meantime, You get the point there are some pretty cool and successful people still playing these songs Today! Why?
Could be because? They are simply great songs. We'll get a bit more in about that next week
One last thing, our friend Andrew Lloyd Weber (see previous post), well he's gone Platinum in the UK and in the US selling over 2 million copies with The Phantom of the Opera. And the original cast recording was the first in British musical history to enter the charts at number one....
Someones' Listening to it! Til Next Time .....
Thursday, January 13, 2011
A Great Joke
HI Everybody!
So, it's been snowy and slowy in TN - So I have declared a snow day and decided to have a fun day of theorizing!
I am going to use this opportunity to tell a bad joke - yes up above I said it was Great because it is a great intro to some of the nonsense that I will be spouting about next week
Then we are continuing our journey into the land of sharps and flats via the Circle of 5ths
I am using this joke courtesy of the Grand Rand Bishop from his book, “The Essentials to Songwriting Success” This is a great book written by an amazing songwriter. What more can I say? See for yourself!!!!!
Check out his website: RandBishop.com
“A pair of Manhattanites, Vern and Frank, are walking down Amsterdam Avenue. “Oh my God!” Vern cries out, pointing up ahead. Following Vern’s pointer finger, Frank sees a man falling from a 10th story window. Miraculously, what surely looks to be a fatal fall is slowed, as the fortunate fellow bounces off of an awning protruding from the 5th floor. He then resumes his fall only to trampoline off of another awning at the 2nd floor level, and finally to land softly in a dumpster conveniently filled with packing peanuts. He climbs out of the dumpster, evidently unhurt, and begins gingerly brushing himself off. “Wow!” exclaims Frank. “That guy has got to be the luckiest man in New York City.”
“Second Luckiest,” Vern corrects him
“What do you mean?” Frank wonders out loud
“Andrew Lloyd Webber,” Vern explains. “He’s the luckiest man in New York City.”
Haaaaa!!!!!!! I am still laughing. And if you know of Sir Andrew Lloyd Webber, you probably are too. And if you haven’t heard of Andrew Lloyd Webber? Well, you’ve probably heard of these musicals? Cats, Jesus Christ Superstar, Phantom of the Opera - He’s the composer and he’s written over a dozen more that you know. Get your google on here ….
More about Sir Andrew
Most importantly – Why should you care? Musicals are for Geeks, right?
Maybe, but stick around songwriters & I promise you can learn something from those show writers as well as from the history of Musical Theater.
( In addition to being a Theory nerd, I think I also just admitted to being a Geek)
Til Next Time, perhaps watch an Old Musical and instead of focusing on the costumes and choreographed routines, listen to the music, hear the lyrics, notice the orchestration - you might be pleasantly surprised by this element of the craft of songwriting :)
So, it's been snowy and slowy in TN - So I have declared a snow day and decided to have a fun day of theorizing!
I am going to use this opportunity to tell a bad joke - yes up above I said it was Great because it is a great intro to some of the nonsense that I will be spouting about next week
Then we are continuing our journey into the land of sharps and flats via the Circle of 5ths
I am using this joke courtesy of the Grand Rand Bishop from his book, “The Essentials to Songwriting Success” This is a great book written by an amazing songwriter. What more can I say? See for yourself!!!!!
Check out his website: RandBishop.com
“A pair of Manhattanites, Vern and Frank, are walking down Amsterdam Avenue. “Oh my God!” Vern cries out, pointing up ahead. Following Vern’s pointer finger, Frank sees a man falling from a 10th story window. Miraculously, what surely looks to be a fatal fall is slowed, as the fortunate fellow bounces off of an awning protruding from the 5th floor. He then resumes his fall only to trampoline off of another awning at the 2nd floor level, and finally to land softly in a dumpster conveniently filled with packing peanuts. He climbs out of the dumpster, evidently unhurt, and begins gingerly brushing himself off. “Wow!” exclaims Frank. “That guy has got to be the luckiest man in New York City.”
“Second Luckiest,” Vern corrects him
“What do you mean?” Frank wonders out loud
“Andrew Lloyd Webber,” Vern explains. “He’s the luckiest man in New York City.”
Haaaaa!!!!!!! I am still laughing. And if you know of Sir Andrew Lloyd Webber, you probably are too. And if you haven’t heard of Andrew Lloyd Webber? Well, you’ve probably heard of these musicals? Cats, Jesus Christ Superstar, Phantom of the Opera - He’s the composer and he’s written over a dozen more that you know. Get your google on here ….
More about Sir Andrew
Most importantly – Why should you care? Musicals are for Geeks, right?
Maybe, but stick around songwriters & I promise you can learn something from those show writers as well as from the history of Musical Theater.
( In addition to being a Theory nerd, I think I also just admitted to being a Geek)
Til Next Time, perhaps watch an Old Musical and instead of focusing on the costumes and choreographed routines, listen to the music, hear the lyrics, notice the orchestration - you might be pleasantly surprised by this element of the craft of songwriting :)
Thursday, January 6, 2011
Why do I need this Stuff Anyway?
I’ve spoken with a lot of musicians who have said something to the effect of “Well, if I learn to read music, it will hinder my creativity,” “If I learn music theory, my music will become boring and too academic.” Ok, I hear that, we all fear the result of what may happen if we bring an unknown quantity into our lives, especially something as sacred to us, as our music. Take a moment and look further…..
The famous composer, Igor Stravinsky, is considered the pioneer of 20th century music. Let’s take for granted, he could read, compose, orchestrate, etc, et al. One of his most famous works, “The Rite of Spring” debuted in 1913. On the evening of the premier, the audience went nuts (ummm, but not with cheers and applause), there was actually a riot in the theater, people threw things, chairs were toppled over and Stravinksky himself had to sneak out the back door for his safety (that’s pretty rock star-esque) WHY? The music was so innovative and unlike anything people had heard before, they violently rejected it. Then, nearly 10 years later the piece was played again and suddenly? People heard the brilliance of this unique work and it has become part of the foundation for modern composition.
(Lesson #1 Never stop walking on the path where your creativity leads you! Even if everyone else is a few steps behind!)
more here
Why am I telling you this? Aside from the fact that I am a nerd and like to talk about music, The point is that knowledge of music enabled someone to make his mark in the history of music, it did not prevent him from being brilliant. The opposite is true, his knowledge of composition enabled his ability to break barriers and to create unique music.
As we often see, the new ideas that people react harshly to today often becomes the leading trend of tomorrow. Take the hoopla that the Beatles created or Elvis’s hips – no one can deny the mark they made on music history. How? They had the ability to do something different!!! Confidence gives us this courage. How do we become confident? By being the very best we can be at our craft!! Simply put, when we can understand how music works, it makes us a better musician & writer.
AND Knowledge can enable us to break rules!!! Take another case. The 20th century composer John Cage is very famous for some pieces he wrote for what we call prepared piano. How in heck does one prepare a piano? Usually they call a tuner. BUT in Cage’s case…. It involves actually placing objects (aka preparations) inside of the piano strings, dampers or pedals (you can also do this to a guitar!) which changes it’s natural sound, overtones, and how it is played. Cool! Innovative! Although some people think this is way toooo crazy (maybe that’s why it makes me smile) No one can argue that it’s a unique approach to making music! Videos
OK, maybe you’re thinking….. the prepared piano is hip, but I’m a pop, country, blues, R&B, radio friendly artist/writer. So are….
Ben Folds who wedges an Altoid tin in the strings and plays his piano through a rat distortion to attain the unique sound for the song, “Free Coffee.” In Concert He demonstrates the preparation and performance of the piano
First, that’s a pretty nifty performance moment! & a cool way to make this song happen.
Although he is not a trained musician himself, Ben IS a strong proponent of music education, a generous supporter of both VH1 Save the Music Foundation & of The Nashville Symphony
His album A Cappella (May 2008) features college performers from acapella ensembles. In his own words regarding Acapella voice ensembles…. more here
“They (meaning acapella singers) have to have a fairly thorough understanding of western theory, harmony, arranging, voice leading and so on, just to get through a few measures. We pro's are rarely put through those kinds of paces, at least those of us in rock music, including the ones with the 'street cred'……”
We can always learn a lot from successful predecessors and no one can deny Ben Folds success (and talent!) as both a writer and a musician. So, perhaps it’s worth our while to be a part of his mission and to take the time to learn a little bit more about music…..
P.S.
Some Other Modern/Pop piano preparations…..
The Noah and the Whale song "Our Window" makes use of a piano prepared with "screws, ping pong palls and tooth picks."
"All Tomorrow's Parties" from The Velvet Underground & Nico (1967), John Cale prepared his piano with a chain of paper clips.
P.S.S.
if you don’t believe me about Stravinsky? Check out the movie “Coco & Igor” I think it’s a great flick overall (rated R not for the kids!). But all you need to do is watch the first 20 minutes to see the chaos that “The Rite of Spring” created. Amazing how art that’s innovative can have a such a grand impact …..
The famous composer, Igor Stravinsky, is considered the pioneer of 20th century music. Let’s take for granted, he could read, compose, orchestrate, etc, et al. One of his most famous works, “The Rite of Spring” debuted in 1913. On the evening of the premier, the audience went nuts (ummm, but not with cheers and applause), there was actually a riot in the theater, people threw things, chairs were toppled over and Stravinksky himself had to sneak out the back door for his safety (that’s pretty rock star-esque) WHY? The music was so innovative and unlike anything people had heard before, they violently rejected it. Then, nearly 10 years later the piece was played again and suddenly? People heard the brilliance of this unique work and it has become part of the foundation for modern composition.
(Lesson #1 Never stop walking on the path where your creativity leads you! Even if everyone else is a few steps behind!)
more here
Why am I telling you this? Aside from the fact that I am a nerd and like to talk about music, The point is that knowledge of music enabled someone to make his mark in the history of music, it did not prevent him from being brilliant. The opposite is true, his knowledge of composition enabled his ability to break barriers and to create unique music.
As we often see, the new ideas that people react harshly to today often becomes the leading trend of tomorrow. Take the hoopla that the Beatles created or Elvis’s hips – no one can deny the mark they made on music history. How? They had the ability to do something different!!! Confidence gives us this courage. How do we become confident? By being the very best we can be at our craft!! Simply put, when we can understand how music works, it makes us a better musician & writer.
AND Knowledge can enable us to break rules!!! Take another case. The 20th century composer John Cage is very famous for some pieces he wrote for what we call prepared piano. How in heck does one prepare a piano? Usually they call a tuner. BUT in Cage’s case…. It involves actually placing objects (aka preparations) inside of the piano strings, dampers or pedals (you can also do this to a guitar!) which changes it’s natural sound, overtones, and how it is played. Cool! Innovative! Although some people think this is way toooo crazy (maybe that’s why it makes me smile) No one can argue that it’s a unique approach to making music! Videos
OK, maybe you’re thinking….. the prepared piano is hip, but I’m a pop, country, blues, R&B, radio friendly artist/writer. So are….
Ben Folds who wedges an Altoid tin in the strings and plays his piano through a rat distortion to attain the unique sound for the song, “Free Coffee.” In Concert He demonstrates the preparation and performance of the piano
First, that’s a pretty nifty performance moment! & a cool way to make this song happen.
Although he is not a trained musician himself, Ben IS a strong proponent of music education, a generous supporter of both VH1 Save the Music Foundation & of The Nashville Symphony
His album A Cappella (May 2008) features college performers from acapella ensembles. In his own words regarding Acapella voice ensembles…. more here
“They (meaning acapella singers) have to have a fairly thorough understanding of western theory, harmony, arranging, voice leading and so on, just to get through a few measures. We pro's are rarely put through those kinds of paces, at least those of us in rock music, including the ones with the 'street cred'……”
We can always learn a lot from successful predecessors and no one can deny Ben Folds success (and talent!) as both a writer and a musician. So, perhaps it’s worth our while to be a part of his mission and to take the time to learn a little bit more about music…..
P.S.
Some Other Modern/Pop piano preparations…..
The Noah and the Whale song "Our Window" makes use of a piano prepared with "screws, ping pong palls and tooth picks."
"All Tomorrow's Parties" from The Velvet Underground & Nico (1967), John Cale prepared his piano with a chain of paper clips.
P.S.S.
if you don’t believe me about Stravinsky? Check out the movie “Coco & Igor” I think it’s a great flick overall (rated R not for the kids!). But all you need to do is watch the first 20 minutes to see the chaos that “The Rite of Spring” created. Amazing how art that’s innovative can have a such a grand impact …..
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